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	<title>phillyaccess</title>
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	<link>http://www.phillyaccess.org</link>
	<description>Know what you need to know about public access television</description>
	<lastBuildDate>Wed, 14 Sep 2011 00:00:00 +0000</lastBuildDate>
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		<title>Where and How to Get on Television</title>
		<link>http://www.phillyaccess.org/2011/09/14/where-and-how-to-get-on-television/</link>
		<comments>http://www.phillyaccess.org/2011/09/14/where-and-how-to-get-on-television/#comments</comments>
		<pubDate>Wed, 14 Sep 2011 00:00:00 +0000</pubDate>
		<dc:creator>admin</dc:creator>
		
		<guid isPermaLink="false">http://www.phillyaccess.org/?p=37</guid>
		<description><![CDATA[In the world of network television, it seems everyone has the need to become famous through the guise of reality programming. Millions of people jump at the notion of flaunting every miniscule detail of their lives, good and bad, on live television, making a spectacle of their most intimate moments. For some, this is considered [...]]]></description>
			<content:encoded><![CDATA[<p>In the world of network television, it seems everyone has the need to become famous through the guise of reality programming. Millions of people jump at the notion of flaunting every miniscule detail of their lives, good and bad, on live television, making a spectacle of their most intimate moments. For some, this is considered to be the epitome of success, despite the brazen, unadulterated disrespect garnered from such a visual delivery.</p>
<p>For those who wish to reach fame through acting or musical endeavors,<span id="more-37"></span> one of the more declining, but still effective and attainable, options is the use of public access television. Public access is a great, traditional way for lesser-known stars to get their talents publicity, without delving into the pits of infamy. Many local interview shows, special interest programs and multimedia presentation are available, through public access television, which allow for a greater return on little investment. Many times, bigger, more financially-backed networks have looked to public access station for their next big talent or idea. This is how many of today&#8217;s stars received their big breaks.</p>
<p>If you are looking at turning your dreams of stardom into reality, skip the reality programming and opt for a smaller, local flavor to facilitate your goal.</p>
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		<title>The FCC&#8217;s Control of Public Access TV</title>
		<link>http://www.phillyaccess.org/2011/09/11/the-fccs-control-of-public-access-tv/</link>
		<comments>http://www.phillyaccess.org/2011/09/11/the-fccs-control-of-public-access-tv/#comments</comments>
		<pubDate>Sun, 11 Sep 2011 00:00:00 +0000</pubDate>
		<dc:creator>admin</dc:creator>
		
		<guid isPermaLink="false">http://www.phillyaccess.org/?p=36</guid>
		<description><![CDATA[The Federal Communications Commission, or FCC, has the authority to, within limits, impose restrictions on what can be shown on public television. There is ongoing controversy over the issue, with some groups of Americans citing Free Speech violations. The popular opinion is that the FCC should regulate public television. No one wants their 3 year [...]]]></description>
			<content:encoded><![CDATA[<p>The Federal Communications Commission, or FCC, has the authority to, within limits, impose restrictions on what can be shown on public television. There is ongoing controversy over the issue, with some groups of Americans citing Free Speech violations. The popular opinion is that the FCC should regulate public television.</p>
<p>No one wants their 3 year old exposed to curse words and sexually explicit scenes during their morning public television cartoons. Additionally, the population as a whole has the right to choose when and if they want exposure to graphic<span id="more-36"></span> violence, extreme nudity, or other less than tasteful programming. </p>
<p>There is a reason that networks like HBO and Cinemax exist: So the people who want the R rated versions can have them. Sure, they are considered premium services, and usually set the consumer back around 20 a month, but adults always pay premiums for adult entertainment. Take smoking, for example. There is a huge tax on cigarettes, but adults with the expendable income have the right and the means to attain them. </p>
<p>The bottom line is that some government involvement is necessary in order for the greater sum of the population to enjoy daily life. If there were no guidelines or regulation, there would be television trash everywhere.</p>
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		<title>Government Use of Public Access Television</title>
		<link>http://www.phillyaccess.org/2011/09/08/government-use-of-public-access-television/</link>
		<comments>http://www.phillyaccess.org/2011/09/08/government-use-of-public-access-television/#comments</comments>
		<pubDate>Thu, 08 Sep 2011 00:00:00 +0000</pubDate>
		<dc:creator>admin</dc:creator>
		
		<guid isPermaLink="false">http://www.phillyaccess.org/?p=35</guid>
		<description><![CDATA[Television has made one of the biggest impacts in the last 50 years that man has ever seen. People can see what is going on in another country without ever leaving the comfort of their own home. Businesses can advertise their products and merchandise to people all over the country. Television has also been the [...]]]></description>
			<content:encoded><![CDATA[<p>Television has made one of the biggest impacts in the last 50 years that man has ever seen. People can see what is going on in another country without ever leaving the comfort of their own home. Businesses can advertise their products and merchandise to people all over the country. Television has also been the main platform for political figures for decades. The politician can reach audiences all over the region. </p>
<p>Public television has made it possible for people to learn about all sorts of topics. Government has been known not only to<span id="more-35"></span> use television to push political views but they also educate people on the history of the nation. They have realized that in order for a nation to understand where it is going them its people must realize where they have come from.</p>
<p>Public television is also used by many broadcast networks to help educate children. There are several shows that are broadcasted everywhere for young children to learn the foundations of their education. </p>
<p>Government uses these sources as a means of communication to reach the public. In the case of a natural disaster or national event, government uses these channels as a way to educate and instruct people on the proper course of action to deal with the event.</p>
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		<title>Great Kids&#8217; Shows in Danger of Extinction&#8230;</title>
		<link>http://www.phillyaccess.org/2011/08/30/great-kids-shows-in-danger-of-extinction/</link>
		<comments>http://www.phillyaccess.org/2011/08/30/great-kids-shows-in-danger-of-extinction/#comments</comments>
		<pubDate>Tue, 30 Aug 2011 00:00:00 +0000</pubDate>
		<dc:creator>admin</dc:creator>
		
		<guid isPermaLink="false">http://www.phillyaccess.org/?p=32</guid>
		<description><![CDATA[With so many families opting for Choice packagesatellite solutions and video games kids are watching les public TV than ever before. We think that-s a travesty! Here are a few of our favorite children-s programs that are in danger of going off the air if public television doesn-t survive.Arthur: Who doesn-t love this loveableanteater? What [...]]]></description>
			<content:encoded><![CDATA[<p>With so many families opting for <a href="http://www.direct.tv/direct-tv-packages-choice.html">Choice package</a>satellite solutions and video games kids are watching les public TV than ever before. We think that-s a travesty! Here are a few of our favorite children-s programs that are in danger of going off the air if public television doesn-t survive.<br />Arthur: Who doesn-t love this loveableanteater? What is Arthur, anyway? He-s got the morals your kids need and the old-school animation style takes the whole family back. Arthur-s a gem.<br />Noah Comprende:<span id="more-33"></span> If your kids aren-t learning Spanish in school they should be, but better yet, why not have them watch Noah Comprende? Much the same as Dora, Noah teaches simple Spanish language skills and vocabulary in a way your kids can-t get enough of.<br />Electric Company: Truly one of the last great educational shows on TV, The Electric Company is all about teaching your kids engineering. It-s stuff they-re not going to get in school and it-s practically applicable their whole lives so tune in and see how quickly kids- minds absorb.</p>
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		<title>&#8220;Wayne&#8217;s World&#8221; Effect: Comedy Spoofs of Public Access Television</title>
		<link>http://www.phillyaccess.org/2011/04/13/waynes-world-effect-comedy-spoofs-of-public-access-television/</link>
		<comments>http://www.phillyaccess.org/2011/04/13/waynes-world-effect-comedy-spoofs-of-public-access-television/#comments</comments>
		<pubDate>Wed, 13 Apr 2011 00:00:00 +0000</pubDate>
		<dc:creator>admin</dc:creator>
		
		<guid isPermaLink="false">http://www.phillyaccess.org/?p=31</guid>
		<description><![CDATA[Two of the most memorable characters from the show &#8220;Saturday Night Live&#8221; are Wayne and Garth. These two host their own television show on public access television in which they are able to talk about anything they want to. They talk about the women that they find attractive and what music they like. This shows [...]]]></description>
			<content:encoded><![CDATA[<p>Two of the most memorable characters from the show &#8220;Saturday Night Live&#8221; are Wayne and Garth. These two host their own television show on public access television in which they are able to talk about anything they want to. They talk about the women that they find attractive and what music they like.</p>
<p>This shows how public access television can be used by anyone. These two host the show out of the basement of Wayne&#8217;s mother&#8217;s house so there is no<span id="more-31"></span> need for them to have an expensive studio. They are able to control everything which is shown on the show so they are able to play only what they think is important.</p>
<p>Most of the people who run their own shows are well prepared on what they want to show and it is usually issues which they feel strongly about. One reason they may choose to go the public access route is b that they want to be able to showcase their skills on their own terms.</p>
<p>&#8220;Wayne&#8217;s World&#8221; should not be seen as the way in which public access is typically run. Sadly, most people are unable to tell the difference and think of it as being a way to make fun of people who run their own shows.</p>
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		<title>Historic Origins of Public Access Television</title>
		<link>http://www.phillyaccess.org/2011/04/01/historic-origins-of-public-access-television/</link>
		<comments>http://www.phillyaccess.org/2011/04/01/historic-origins-of-public-access-television/#comments</comments>
		<pubDate>Fri, 01 Apr 2011 00:00:00 +0000</pubDate>
		<dc:creator>admin</dc:creator>
		
		<guid isPermaLink="false">http://www.phillyaccess.org/?p=30</guid>
		<description><![CDATA[The historic origins of Public Access Television is an exceptional record of giving the man on the street a forum for his need to be heard. This happens without alteration. Shouting in the wilderness without an audience has never gotten results and Public Access Television understands that people without the means have views that need [...]]]></description>
			<content:encoded><![CDATA[<p>The historic origins of Public Access Television is an exceptional record of giving the man on the street a forum for his need to be heard. This happens without alteration. Shouting in the wilderness without an audience has never gotten results and Public Access Television understands that people without the means have views that need to be shared and expressed. Public Access has historically made available to everyday people a means of produce viewing material to relate information that would help the community as a<span id="more-30"></span> whole. </p>
<p>Creating a form for public access was done through a deep belief that the airways belong to the public. The common man, regardless of his circumstance in life has the right to receive uncensored, and unbiased information. Public Access programs work for the regular man benefits the community and informs the world of his unique contributions.</p>
<p>Public Access Television is responsible for a great deal of community participation in the television media of change. You Tube it would seem has picked up on the leadership of Public Access Television. The media is not as virtuous, and certainly commercial, but the public has access to speak out, good, or, bad, and through trial and error, and modern technology many future producers of media material may emerge.</p>
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		<title>Careers in Video Production</title>
		<link>http://www.phillyaccess.org/2011/01/27/careers-in-video-production/</link>
		<comments>http://www.phillyaccess.org/2011/01/27/careers-in-video-production/#comments</comments>
		<pubDate>Thu, 27 Jan 2011 00:00:00 +0000</pubDate>
		<dc:creator>www.phillyaccess.org</dc:creator>
				<category><![CDATA[References and Resources]]></category>

		<guid isPermaLink="false">http://www.phillyaccess.org/?p=25</guid>
		<description><![CDATA[If you have aspirations to get involved in public access television from a production standpoint you might be wondering how to best o about accomplishing that. If so, the Bureau of Labor Statistics points out that the significant points to be taken into consideration include: Keen competition is expected for the more glamorous, high-paying jobswriters, [...]]]></description>
			<content:encoded><![CDATA[<p>If you have aspirations to get involved in public access television from a production standpoint you might be wondering how to best o about accomplishing that. If so, the Bureau of Labor Statistics points out that the significant points to be taken into consideration include:
<ul>
<li>Keen      competition is expected for the more glamorous, high-paying jobswriters,      actors, producers, and directorsbut better job prospects are expected for      multimedia artists and animators, film and video editors, and others      skilled in digital filming and computer-generated imaging.</li>
<li>Small or      independent filmmakers may provide the best job prospects for new      entrants.</li>
<li>Although      many films are shot on location, employment is centered in several major      cities, particularly New York and Los Angeles.</li>
<li>Many workers      have formal training, but experience, talent, creativity, and      professionalism are the factors that are most important in getting many      jobs in this industry.</li>
</ul>
<p>Additionally, working hours within the industry are typically unusual from the normal (9:00  5:00) and an estimated 22 percent of all workers have part-time scheduled. The site goes on to point out that<span id="more-25"></span> &#8220;producers often work under stress as they try to meet schedules, stay within budget, and resolve personnel and production problems&#8221; so if you&#8217;re in pursuit of a laid-back career, this may not be the best choice.An offshoot to a pure production position is as an editor or sound effects (recording) engineer.While it is indicated that there are &#8220;no specific training requirements for producers and directors&#8221; it is indicated that &#8220;talent, experience, and business acumen are very important.&#8221;Employment outlook is projected to grow about 14 in this industry with job growth resulting &#8220;from the increase in demand for programming needed to fill the rising number of cable and satellite television channels, both in the United States and abroad.&#8221;If you&#8217;d like more information about a career in Public Access television you may want to check out the 2010-2011 edition of the <em>Occupational Outlook Handbook</em> available through the <a href="http://www.bls.gov/home.htm">Bureau of Labor Statistics.</a></p>
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		<title>Encyclopedia of Television</title>
		<link>http://www.phillyaccess.org/2010/12/24/encyclopedia-of-television/</link>
		<comments>http://www.phillyaccess.org/2010/12/24/encyclopedia-of-television/#comments</comments>
		<pubDate>Fri, 24 Dec 2010 00:00:00 +0000</pubDate>
		<dc:creator>www.phillyaccess.org</dc:creator>
				<category><![CDATA[References and Resources]]></category>

		<guid isPermaLink="false">http://www.phillyaccess.org/?p=20</guid>
		<description><![CDATA[If you love &#8220;all things&#8221; about television, whether its public access or otherwise, you will probably really enjoy learning &#8220;all things&#8221; about television so you can best be prepared for your next water cooler conversation. If so, we suggest you take a look at the second edition of the Encyclopedia of Television which has been [...]]]></description>
			<content:encoded><![CDATA[<p>If you love &#8220;all things&#8221; about television, whether its public access or otherwise, you will probably really enjoy learning &#8220;all things&#8221; about television so you can best be prepared for your next water cooler conversation. If so, we suggest you take a look at the second edition of the <a href="http://www.tvondvdshop.com/rel/v2_viewupc.php?storenr193&amp;upcMBC00019">Encyclopedia of Television</a> which has been regarded as the &#8220;foremost reference&#8221; on the study of the medium. The four volume sets includes the following key features over the first edition:
<ul>
<li> Almost      200 new entries have been added and nearly all of the original entries      from the first edition have been revised and updated</li>
<li>Expanded international coverage from the first edition</li>
<li>Comprehensive coverage of the explosive growth of cable      television and popularity of reality television in the last decade</li>
<li>Reflects the new developments in the television      industry since<span id="more-20"></span> the first edition such as new programs, new companies,      merged conglomerates, and individuals who have risen to prominence</li>
<li>Illustrated with over 745 black-and-white photographs      including show stills, persons, and other facets of television history</li>
<li>Helpful research tools include a comprehensive      analytical index, a network of cross-references, and bibliographies for      suggestions for further reading and research</li>
<li>Program entries contain cast lists, programming      histories, and production personnel</li>
<li>Entries range in length from about 1,000 words for most      entries to 7,000 words for overview entries on topics such as      Americanization and Music on Television</li>
<li>More than 1150 signed A-Z entries by over 300 contributors,      critics and scholars from around the world</li>
</ul>
<p>And yes, it might come in pricey at 675, but with the increased closures of more and more public access television stations with each passing year, the book is sure to become an important historical reference, as well.</p>
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		<title>Three More Myths About Public Access Television</title>
		<link>http://www.phillyaccess.org/2010/10/20/three-more-myths-about-public-access-television/</link>
		<comments>http://www.phillyaccess.org/2010/10/20/three-more-myths-about-public-access-television/#comments</comments>
		<pubDate>Wed, 20 Oct 2010 13:50:27 +0000</pubDate>
		<dc:creator>www.phillyaccess.org</dc:creator>
				<category><![CDATA[Understanding PEG]]></category>

		<guid isPermaLink="false">http://www.phillyaccess.org/?p=14</guid>
		<description><![CDATA[Myth One: &#8220;Nobody needs Public Access.&#8221;Reality: We all need access. Many access programs have made a difference in their communities, helping voters to understand (and support) issues as diverse as a local tax ballot measure, the need for a teen center, or to value of community organizations. Strengthen your response to this attack by compiling [...]]]></description>
			<content:encoded><![CDATA[<p><strong></strong><strong>Myth One: &#8220;Nobody needs Public Access.&#8221;</strong><strong>Reality:</strong> We all need access. Many access programs have made a difference in their communities, helping voters to understand (and support) issues as diverse as a local tax ballot measure, the need for a teen center, or to value of community organizations. Strengthen your response to this attack by compiling a list of access programs in your and nearby communities. Notice that this same challenge might be aimed at any book in the public library. People vary in what they need to know, and want to watch (or read), and want to say (or write), so we all need access, just as we all need public libraries.<strong>Myth Two: &#8220;No one would use Public Access.&#8221;</strong><strong>Reality:</strong> Broadcasters have reduced sharply the time for local programs and public service announcements (PSA&#8217;s). Compare the number of hours of original programs on access channels (about 20,000 per week) with the number of hours of original, local programming on all broadcast stations combined (somewhat less than 6,000 hours a week, even including all local news and televised sporting events). These figures will surprise you and impress others, particularly those who understand the energy and talent required to produce programming. Communities need  and use  public access channels.<strong>Myth Three: &#8220;The City can&#8217;t afford Public Access&#8221;</strong><strong>Reality:</strong> Cities have an endless selection of budgetary needs. Access supports community life, elementary and secondary education, and the efficacy of local social programs. Failing to support these objectives by supporting access will endanger the community&#8217;s ability to achieve these other worthwhile goals.<strong> </strong></p>
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		<title>Three Myths About Public Access Television</title>
		<link>http://www.phillyaccess.org/2010/10/18/three-myths-about-public-access-television/</link>
		<comments>http://www.phillyaccess.org/2010/10/18/three-myths-about-public-access-television/#comments</comments>
		<pubDate>Mon, 18 Oct 2010 13:49:18 +0000</pubDate>
		<dc:creator>www.phillyaccess.org</dc:creator>
				<category><![CDATA[Understanding PEG]]></category>

		<guid isPermaLink="false">http://www.phillyaccess.org/?p=12</guid>
		<description><![CDATA[Myth One: &#8220;No one ever watches PEG Access.&#8221;Reality: Access is the primary conduit for niche programming, which the cable television companies once touted as the primary benefit of broadband cable systems. Access is not supposed to be a mass-audience medium. Consequently, the success of PEG access should not be measured by the criteria of commercial [...]]]></description>
			<content:encoded><![CDATA[<p><strong></strong><strong>Myth One: &#8220;No one ever watches PEG Access.&#8221;</strong><strong>Reality:</strong> Access is the primary conduit for niche programming, which the cable television companies once touted as the primary benefit of broadband cable systems. Access is not supposed to be a mass-audience medium. Consequently, the success of PEG access should not be measured by the criteria of commercial television. Access programs can provide &#8220;home entertainment,&#8221; but by and large, that is not usually the purpose of the medium  or the choice of the individuals and organizations, such as schools and churches, that produce PEG programming. In the same way that a seminar at a university is not expected to attract the entire university enrollment, PEG access is not expected to aim for wide viewership, but for interested viewership.<strong>Myth Two: &#8220;Access programming is amateurish.&#8221;</strong><strong>Reality:</strong> Access programs are produced quite inexpensively, when compared to commercial television programs, but still can be designed imaginatively, recorded capably, and<span id="more-12"></span> edited cleanly. When an access program has been skillfully produced, and the equipment is working correctly, the message  not the production  holds the viewer&#8217;s attention. In several communities where adequate financial support has been provided to produce high-quality programming, audience studies have shown high levels of viewership.<strong>Myth Three: &#8220;You don&#8217;t want your kids Public Access.&#8221;</strong><strong>Reality:</strong> Pornographic, obscene, or libelous programming is <em>illegal</em> on Public Access TV, and the community- and government-directed Public Access Corporation is there to ensure programming standards. Out of a million hours of Public Access programming made, only 9 hours have been deemed legally objectionable. Some of the most enthusiastic proponents of Public Access TV are churches!</p>
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